ARRI ALEXA 35 XTREME Base Production Set (LPL/PL, MVF, 15mm)

The ARRI ALEXA 35 XTREME is built for filmmakers who need premium image quality, high-speed capture, and dependable on-set performance in a compact cinema camera system. Combining the trusted performance of the ALEXA 35 platform with upgraded processing power, the XTREME version introduces frame rates up to 660 fps, enhanced wireless connectivity, lower power consumption, and support for the new ARRICORE RGB codec. ARRI ALEXA 35 XTREME 15mm Base Production Set The 15mm Base Production Set includes the ALEXA 35 XTREME camera body with a Base License, LPL mount, PL-to-LPL adapter, B-Mount battery plate, PDM-1 Power Distribution Module, 15mm rod support cage set, baseplate, and BUD-1 dovetail. Designed for professional cinema workflows, the camera records to 1TB or 2TB Codex drives with resolutions up to 4.6K and frame rates reaching 660 fps. Flexible Licensing Options The ALEXA 35 XTREME can be expanded with separately available licenses depending on your production requirements. Temporary licenses are available weekly, monthly, yearly, or permanently through the ARRI License Shop. Available upgrades include: ARRIRAW 660 fps High-Speed Capture Open Gate / Anamorphic Pre-Record ARRI Looks and Textures The Premium License bundle combines all available upgrade options into a single package for maximum flexibility. ARRICORE Codec Technology The new ARRICORE RGB codec delivers exceptional image quality while reducing storage demands to nearly half the data rate of ARRIRAW. Designed for modern post-production workflows, ARRICORE maintains flexibility by preserving sensitivity, white balance, and tint adjustments in post. Key benefits include: 13-bit MFX file structure Support for ARRI Textures and metadata Compatibility with existing ALEXA 35 workflows Optimized support for third-party post-production tools Lower storage and data management costs Industry-Leading Pre-Record Capabilities The ALEXA 35 XTREME offers some of the longest pre-record times available in a cine-style camera. Users can capture up to: 5 minutes in 24 fps Apple ProRes 422 HQ HD 30 seconds in 4.6K Open Gate Apple ProRes This makes the camera especially valuable for documentary, wildlife, and unpredictable live-action shooting environments. High-Speed Recording up to 660 fps With optional licensing, the ALEXA 35 XTREME supports frame rates up to 660 fps, reducing the need for a separate high-speed camera system. Performance capabilities include: Up to 330 fps with full 17 stops of dynamic range Up to 660 fps within 11 stops of dynamic range Enhanced memory and processing performance Enhanced Wireless Connectivity Wireless functionality has been upgraded with: Wi-Fi 5GHz support Mesh network roaming Automatic reconnection to saved networks These improvements create more stable remote-control and monitoring workflows on set. 4.6K Super 35 Sensor with 17 Stops of Dynamic Range At the heart of the ALEXA 35 XTREME is a 4.6K Super 35 CMOS sensor delivering 17 stops of dynamic range. Compared to previous ARRI systems, this provides an additional 2.5 stops of exposure latitude. Advantages include: Natural highlight roll-off Improved shadow detail Excellent HDR performance Greater flexibility during color grading and post-production Recording Formats and Resolutions The ALEXA 35 XTREME supports 19 ARRIRAW and Apple ProRes recording formats with multiple aspect ratios and data rates. Available recording resolutions include: 4.6K 4K 3.3K 3K 2.7K 2K Built-in downsampling and anamorphic de-squeeze options streamline professional cinema workflows. Enhanced Sensitivity and ARRI Color Science The camera supports exposure index settings from EI 160 to EI 6400 while maintaining low noise and highly accurate color reproduction. Additional imaging features include: Enhanced Sensitivity mode for low-light shooting REVEAL Color Science Natural skin tone rendering Compatibility with Shadow ARRI Textures ARRI Textures ARRI Textures function similarly to digital film stocks, allowing filmmakers to fine-tune image grain, contrast, and perceived sharpness directly in-camera for a more customized cinematic look. Compact and Production-Ready Design The ALEXA 35 XTREME maintains the same rugged and compact form factor as the standard ALEXA 35, ensuring compatibility with existing ARRI accessories and production workflows. Features include: Splash- and dust-resistant housing Straightforward menu system Codex Compact and Express drive support Compatibility with the Camera Companion app and LPS-1 Live Production System Lens Mount Compatibility This configuration includes an LPL mount with PL adapter support, enabling compatibility with a broad range of cine-style lenses. Additional adapters are available separately for: Spherical lenses Anamorphic lenses Super 35 formats Large-format cinema lenses Vintage and modern lens systems Professional Interfaces and Connectivity The ALEXA 35 XTREME includes extensive professional I/O options: Dual SDI outputs with return feed support Timecode input/output 12V and 24V accessory power outputs Ethernet metadata streaming Dual internal microphones 6-pin LEMO audio input 3.5mm headphone output Embedded SDI audio support The system is also compatible with the AEM-1 Audio Extension Module. Reduced Power Consumption Compared to the standard ALEXA 35, the XTREME version delivers approximately 10% lower power consumption. The included B-Mount system supports: 12V and 24V accessories Simplified single-battery workflows Compatibility with third-party battery solutions from Anton Bauer, Hawk-Woods, and CORE SWX The included PDM-1 Power Distribution Module adds seven additional accessory power ports for expanded rig configurations. ARRI Software Tools and Workflow Support ARRI provides a range of free production and post-production tools for the ALEXA 35 XTREME ecosystem, including: Camera Companion remote-control app ARRIRAW HDE Transcoder ARRI Reference tool SDR and HDR conversion workflows Apple ProRes, OpenEXR, and TIFF export support The ALEXA 35 XTREME is engineered for high-end cinema production, combining advanced imaging performance, flexible workflows, and the dependable reliability filmmakers expect from ARRI cinema cameras.