Mounts in the Center of Fixture
Gooseneck Offers More Placement Options
5/8″ Receiver
Nanlux Central Mount with Ball Head and Gooseneck for TK-Series Lights
$99.00 $89.00
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Evoke 1200B Bi-Color LED Light Trolley Case 61,030 Lux at 9.8′ and 5600K Variable Color: 2700 to 6500K Size: 19.8 x 14.56 x 8.26″, AC 100-240V 45° Reflector Bluetooth, Wired or Wireless DMX Control Nanlux has put together this Evoke 1200B LED Bi-Color Spot Light Kit with Trolley Case for shooters who want to take the light on [...]
Fabric Grid, Folds for Transport Eliminates Spill Light Adds Directional Control Enables Selective Lighting The Eggcrate for Dyno 1200C LED Light from Nanlux is a fabric modifier that attaches to the fixture and narrows the beam spread. It also eliminates spill light and provides directional control to enable selective lighting.
Attaches Directly to Panel No Speed Ring Required Directional Control, 30° Grid Narrows Beam Spread, Stops Spill Light Allows Selective Lighting
The F-35 Fresnel Attachment for Evoke LED Light from Nanlux attaches to the light’s NLM200 front accessory mount, allowing the image maker to narrow the beam spread from 45 to 10°. Includes Barndoor.
Color Temp: 2700-7500K, CRI/TLCI: 95/98 AC Adapter, Optional V-Mount Battery DMX, Bluetooth, Lumenradio, CRMX Control Measures 52.7 x 21.7 x 3.35″, 12 FX Handle, Yoke Mount Optional Barndoors, Honeycomb Grid Optional Flight Case
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Key Features Measures 40 x 36 x 7″, RGBW Mode Variable Color: 2700-20,000K, CRI: 98 Dims 0-100%, 15 Special Effects Remote: 2.4 GHz, Bluetooth, LumenRadio Standard Diffuser, USB Flash Drive The 0 to 100% dimmable Dyno 1200C RGBW Panel from Nanlux measures 40 x 36 x 7″ and has a wide beam spread that makes it a great choice [...]
Nanlux
Taking preorders now, with delivering in Q3 2021 the Evoke 1200 is a revolutionary new 1.2kW LED fixture,which breaks free from the boundaries of traditional light sources. Powerful, reliable and incredibly flexible, the Evoke out-performs almost any comparable luminaire. Built to meet the exacting requirements of cinematographers, live events, stills and broadcast professionals, whether using [...]